Christa Robbins Assistant Professor Dept of Art University of Virginia
Lynn Sanders volition be on a console examining the works of Jacob Lawrence, an African American artist from Harlem, primarily known for his work which he termeddynamic cubism. Lynn, a painter as well as political scientist, uses art in her classes as a function of understanding politics. She reads a painting through subject area, metaphor, symbol, colour, and context—standard tools in art history, but a quite dissimilar lens for studying social science. The McIntire Section of Fine art and the Fralin Museum are co-sponsors in the outcome. Run across details of their schedule beneath.
Schedule
All events volition take place the Harrison Found/Small Special Collections Auditorium, unless otherwise noted
Thursday, April 14, 2016
six:00 pm: Reception (The Fralin Museum of Art)
6:15 pm: Welcome
six:30 pm: Poetry performance past Academy of Virginia students
Friday, April 15, 2016
8:15 am: Java + Chat
9:00 am: Session I
Welcome: Elizabeth Hutton Turner, Academy Professor, Modern Fine art, University of Virginia; Introduction: Andrea Douglas, Executive Director, Charlottesville'southward Jefferson Schoolhouse African American Heritage Center
Personalizing Jacob Lawrence's Self Portrait inside Struggle
David Driskell, The David C. Driskell Center for Study of Visual Arts and Civilisation of African Americans and the African Diaspora
The talk will middle on Lawrence's personal portrayal of the African American experience as reflected in his painting entitled The Struggle.
10:00 am: BREAK
ten:15 am: Session Two
Introduction: Deborah McDowell, Alice Griffin Professor, Section of English and Managing director of the Carter K. Woodson Center, University of Virginia
I Hope I Transcend the Strictly Parochial: Painting Resistance as a Universal Trope
Sandy Alexandre, Associate Professor, Literature, Massachusetts Institute of Technology
This talk volition constitute an effort to answer the post-obit question: What does it look like to attempt to justify the breaking bespeak of oppressed black people to those who fear it or who cannot even fathom its possibility? Ultimately, I hope to demonstrate how Lawrence'due south paintings in the series concatenate to suggest that violence is non merely the province of united states of america all, only that it is besides necessarily our inheritance equally an American people.
Leslie King-Hammond, Graduate Dean Emeritus and Founding Director of the Center for Race and Civilisation, Maryland Found Higher of Art
11:45 am: Q & A – Lisa Woolfork, Associate Professor, Department of English language, University of Virginia
12:xv pm: Dejeuner BREAK
2:00 pm: Session 3
Introduction: Christa Noel Robbins, Assistant Professor, Section of Art, University of Virginia
Shilpa S. Davé, Assistant Professor, Department of Media Studies, University of Virginia
Theresa Chiliad. Davis, Associate Professor of Cross Cultural Functioning, Department of Drama, University of Virginia
Carmenita Higginbotham, Associate Professor, American Art and Culture, Department of Art and American Studies Programme, Academy of Virginia
M. Hashemite kingdom of jordan Dear, Academic Curator, The Fralin Museum of Art, University of Virginia
Lynn Chiliad. Sanders, Associate Professor, Department of Politics, University of Virginia
ii:45 pm: BREAK
3:00 pm: Session IV
Introduction: Carmenita Higginbotham, Acquaintance Professor, American Art and Culture, Department of Art and American Studies Program, University of Virginia
History as Symbols of Struggle: Jacob Lawrence Chronicles a Revisionist History of America
Patricia Hills, Professor Emerita, American Fine art and African American Art, Boston University
In 1954 Lawrence applied to the Guggenheim Foundation for funds to complete an ambitious eighty-panel history of the United states of america from 1607 to 1918. Although he completed only thirty panels, he succeeded in presenting a revisionist, "bottom-upward" version of history in which heroic actions are performed and sustained past ordinary people.
4:15 pm: Q & A – Elizabeth Hutton Turner, University Professor, Modern Art, University of Virginia
*We encourage visitors to also view the Jacob Lawrence exhibitions at The Fralin Museum of Art and the Special Collections Library.
This exhibition and symposium is supported past the Page-Barbour Fund, The McIntire Department of Fine art, Mr. Harvey Ross, The Jacob Lawrence Foundation, the Carter G. Woodson Establish for African American and African Studies at UVa, the Office of the Provost and Vice Provost for the Arts, the Constitute for Advanced Engineering science in the Humanities (IATH), the Mary and David Harrison Institute for American History, Literature, and Culture, the Corcoran Department of History, and the Arts Council.
Two exhibitions featuring Jacob Lawrence and his work are displayed at the Fralin Museum and Small Special Collections Library.
Source: https://politics.virginia.edu/news/story/6326
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